A series of short audio-visual projections using time-lapse photography, digital video and sound to explore parallels between light, gesture and abstract form. This work is based on research in early drawn-sound techniques used for musical score analysis and sound-on-film processes (e.g. Norman McLaren’s animated films, and Oskar Fischinger’s ornamental sound experiments of 1932).

Video stills- Atlas, single-channel video, stereo sound, 2016